InSkazka,AlexanderSokurovweavesdigitalmagictocreateaphantasmagoricalvisionoftheAfterlife,worthyofDante.Butwait:areweinthelimboofPurgatory,oraparadoxicalParadisereservedfornotoriousmenofworldhistory?Mussolini,Stalin,Hitler,Churchillandmore:allarepresentandaountedfor.Sincetheyexistonlyasarchivalmediaimages,eachfigurecomesinaserialset.Intheblackestofpoliticalcomedies,thesefallenmenbeg,inturn,tobeletthroughHeaven’sGate–buttheangelswhopkthroughneveropenwide.Littlewonder,astheformerleaderswanderlistlessly,bitching(inaBabelofmultiplelanguages)abouteachother’sclothes,hairandhygiene.Inwhatiseffectivelyaworkofanimation,Sokurovhaspulledtogethermanytalentsintoanextraordinarytechnologicalfeat.Itblendspictorialelementsfromarthistorytoformanendlesslyunfoldinglandscape,repletewithfogandghostlyarmiesofthesacrificedvictimsofhistory.AnnouncedasSokurov’slastfilm,SkazkaisaninspiredriffonthehighcultureofPeterGrnawaymixedwiththelowcultureofmash-upartistsSoda_Jerk.CanwenowexpectsomntrepreneurtobringustheinteractiveSkazkavideogame?源自：https://iffr.com/en/iffr/2023/films/skazka
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