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💬 评论区 (176条)
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j18*** 2025-09-25 23:14:35
为什么全屏不了
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131*** 2025-09-13 21:05:46
没法全屏观看?
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133*** 2025-09-13 19:52:10
pc端 怎么 下
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183*** 2025-08-04 02:39:17
手机App上面无法横屏看
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und*** 2025-08-02 02:32:39
地球超新鲜综艺
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lan*** 2025-07-30 16:40:41
为啥没有横屏全屏之后全是竖屏
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777*** 2025-06-28 10:29:37
高末淑的短剧能不能上
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182*** 2025-06-14 19:04:19
神国之上
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191*** 2025-05-06 21:07:21
网页版搜索功能用不了了,整改一下
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游客 2026-08-04 23:30:31
最近更新很快啊,赞一个
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游客 2026-08-01 23:03:53
好的
第 12 / 12 页 · 共 176 条

造物的奇迹

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1925 德国 科幻片 1.0
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类别:科幻片
主演:Margarete Schön,Theodor Loos,Paul Bildt,Margarethe Schlegel,Oscar Marion,Willy Kaiser-Heyl
导演:Hanns Walter Kornblum
更新:HD中字
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe sm to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project procds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film vrs happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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