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💬 评论区 (176条)
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阿杰 2026-07-28 13:47:21
希望增加夜间模式
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影迷 2026-06-18 23:41:22
求《乌云之上》国语版,粤语听不懂
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阿杰 2026-06-14 10:18:43
《漂白》yyds,已经二刷了
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看片小*** 2026-06-03 15:55:47
《镖人》结局没想到,反转太牛了
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影视爱*** 2026-05-02 11:47:26
《墨雨云间》配乐好听,剧情也感人
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孤独观*** 2026-05-01 11:17:44
求更新《乌云之上》,更新速度可以再快点
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小雨 2026-04-25 11:48:16
有些视频看不了,希望尽快修复
站长回复
请尽量避开高峰期观看!!!
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看片小*** 2026-04-20 09:46:50
缓存快一点就好了,其他都挺好
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休闲影*** 2026-04-05 11:04:18
手机上看很流畅,不错
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休闲影*** 2026-03-25 18:03:43
《南来北往》第几集开始好看?前面有点劝退
第 2 / 18 页 · 共 176 条

红花之歌

简介 ▾
1919 瑞典 剧情片 8.0
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类别:剧情片
主演:Greta,约翰·埃克曼,伊迪丝·埃拉斯托夫,奥洛夫·奥斯,Hjalmar,Nils
导演:莫里兹·斯蒂勒
更新:HD
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefr love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrs to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a fr and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. in the first part of the film, we can s elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more chrful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship betwn Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
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